Commemorative stamp series  - Germany / German Democratic Republic 1981 - 25 Pfennig

Designer: Lothar Grünewald, Halle

Commemorative stamp series - Germany / German Democratic Republic 1981 - 25 Pfennig


Theme: Architecture
CountryGermany / German Democratic Republic
Issue Date1981
Face Value25.00 
Colorolive
PerforationK 14
Printing TypeRotogravure 2
Stamp TypePostage stamp
Item TypeStamp
Chronological Issue Number2367
Chronological ChapterGER-DDR
SID177536
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Half-timbered buildings in the GDR With the illustrations of half-timbered buildings in the GDR, the Ministry of Posts and Telecommunications of the German Democratic Republic issues six multi-colored special postage stamps. Special cancellations from July 7 to September 6, 1981 Half-timbered buildings in the GDR Many of our farmhouses are still half-timbered buildings today. By type, these go back essentially to only two basic forms, Hallhaus and Ernhaus. Of the two, the former, with its high roof over low walls, the gate in the front gable and its three-aisled hall, was originally a "unit house" with space for man, beast and crop. We meet him and his variants especially in the north of the GDR. The latter, however, often two-story, with always side doors and three-cell cross-section, is initially exclusively "Wohnstallhaus" with accommodation for farmers and livestock. We mainly meet buildings of this kind in the middle and in the south of the GDR. Developed in the early Middle Ages from simple early forms and during the economic cycle of the 16th century to full training, both types in the often small dominions of the 17th and 18th century finally won the regional variety of forms, in their artistic, historical and ethnographic statement for us today constitutes the special cultural value of the old farmhouse. 25 Pfennig value: Weckersdorf / Südostthüringen Like other German landscapes, Thuringia has had representative timber framing on many of its farmhouses since the 1700s. Show pages full of baroque exuberance arise at this time. One of them is the rich gable of the originally three-celled residential stable in Weckersdorf. Criss-crossed diamonds, quarter and semicircles in conjunction with stands, bars and struts give it dynamism and fullness. In his artistic design, he is at the same time a testimony to craftsmanship as well as peasant self-confidence in those decades.

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Half-timbered buildings in the GDR With the illustrations of half-timbered buildings in the GDR, the Ministry of Posts and Telecommunications of the German Democratic Republic issues six multi-colored special postage stamps. Special cancellations from July 7 to September 6, 1981 Half-timbered buildings in the GDR Many of our farmhouses are still half-timbered buildings today. By type, these go back essentially to only two basic forms, Hallhaus and Ernhaus. Of the two, the former, with its high roof over low walls, the gate in the front gable and its three-aisled hall, was originally a "unit house" with space for man, beast and crop. We meet him and his variants especially in the north of the GDR. The latter, however, often two-story, with always side doors and three-cell cross-section, is initially exclusively "Wohnstallhaus" with accommodation for farmers and livestock. We mainly meet buildings of this kind in the middle and in the south of the GDR. Developed in the early Middle Ages from simple early forms and during the economic cycle of the 16th century to full training, both types in the often small dominions of the 17th and 18th century finally won the regional variety of forms, in their artistic, historical and ethnographic statement for us today constitutes the special cultural value of the old farmhouse. 25 Pfennig value: Weckersdorf / Südostthüringen Like other German landscapes, Thuringia has had representative timber framing on many of its farmhouses since the 1700s. Show pages full of baroque exuberance arise at this time. One of them is the rich gable of the originally three-celled residential stable in Weckersdorf. Criss-crossed diamonds, quarter and semicircles in conjunction with stands, bars and struts give it dynamism and fullness. In his artistic design, he is at the same time a testimony to craftsmanship as well as peasant self-confidence in those decades..